Tagged: Dolby Atmos
18 articles we've published with this tag.
Why your AVR runs cool on music but throttles on AtmosAVR thermal throttling explained: why nine-channel Atmos mixes push receivers into protection mode that two-channel music never triggers.By Marcus Vale
Ceiling speakers vs upfiring Atmos modules: what actually worksCeiling speakers vs upfiring Atmos modules compared for real rooms: when in-ceiling wins, when upfiring is the better call, and why.By Jonno Fraser
5.1.2 vs 7.1.4: the Atmos layout decision for real roomsChoosing between 5.1.2 and 7.1.4 Atmos layouts comes down to room shape and seating, not speaker count. Here's the giant-killer logic.By Dave Okafor
AVR versus processor: when a home cinema actually needs to split the amps outAV receivers do almost everything a separate processor does, until they don't. Here's the honest line between "buy an AVR" and "go separates."By Eleanor Shaw
Second-hand AV receivers: the giant-killer move nobody in home cinema admits toA three-year-old flagship AVR often out-processes a brand new budget model. Here's how to buy used without copping someone else's dead amp channel.By Dave Okafor
Height channel placement: why most Atmos ceilings underperformMost Atmos ceiling speakers are angled or positioned wrong. Here's the geometry that actually delivers overhead sound, not just overhead noise.By Eleanor Shaw
Lip sync and audio delay: why your AVR's setting isn't the whole fixYour AVR's lip-sync slider only fixes part of the chain. Here's where audio delay actually comes from and how to measure it properly.By Marcus Vale
Atmos speaker placement: why height channels fail in most roomsMost Atmos height channels underperform because of placement, not gear. Here's how to actually get overhead sound working in a real room.By Hannah Reid
AVR vs processor plus power amps: when to make the jumpThinking about splitting your AV receiver into a processor and separate amps? Here's the engineering case for and against, without the marketing fog.By Theo Mensah
Dolby Atmos object audio explained: what the spec actually does in your roomAtmos promises to place sound anywhere in three dimensions. Here's the engineering behind it — and where the format's limits actually are.By Theo Mensah
Atmos speaker placement: position every channel correctlyAtmos speaker placement made simple: angles, heights and trade-offs for every channel, from the LCR front stage to overhead speakers in a real home cinema.By Jonno Fraser
Yamaha RX300A and RX500A get AVENTAGE anti-resonance techThe Yamaha RX300A and RX500A receivers inherit the AVENTAGE A.R.T. Wedge anti-resonance foot, a rare trickle-down under US$600. Here is what to know.By Jonno Fraser
JBL Synthesis SDR-40, SDP-60 and SDP-70 at ISE 2026JBL Synthesis announced the SDR-40 receiver and SDP-60 and SDP-70 processors at ISE 2026. Here's what they mean for Australian home-cinema buyers.By Sofia Laurent
LG's first Dolby Atmos FlexConnect soundbar: CES 2026LG's Sound Suite H7 is the first soundbar built on Dolby Atmos FlexConnect, with 27 speaker configurations for US$999.99. What Australian buyers need to know.By Theo Mensah
SVS soundbar: Dolby Atmos R|Evolution and 600W subThe first SVS soundbar pairs Dolby Atmos with a 600W wireless sub, and the 3000 Micro R|Evolution is already available in Australia through Interdyn.By Hannah Reid
Dolby Atmos Music in 150-plus car models at CES 2026Dolby Atmos Music is now supported in 150-plus car models from 35-plus automakers, per Dolby at CES 2026. Here is what it means for spatial audio.By Theo Mensah
Pioneer SPHERA brings Dolby Atmos to any car via CarPlayPioneer's SPHERA DMH-WT8000NEX is the first aftermarket in-dash receiver with Dolby Atmos over Apple CarPlay, listed at US$1,299.99. Here's what it means.By Dave Okafor
WiSA E goes full-stack: cable-free multichannel vs HDMIWiSA E now spans three modules, a self-certification program and a shipping 5.1.4 system. Here's what it means for wireless home theatre in Australia.By Hannah Reid