Tagged: standmount speakers
27 articles we've published with this tag.
Why a statement floorstander can be the wrong speaker in the roomSix-figure floorstanders fail in rooms that were never built for them. Here's how to tell if your space can actually support one before you buy.By Sofia Laurent
Statement standmounts: when the small box is the right flexAt the top of the market, bigger isn't the default. Here's when a reference standmount genuinely beats a floorstander, and when it's just a smaller cheque.By Sofia Laurent
Toe-in and rake: the free speaker tuning most owners never touchToe-in angle and cabinet rake cost nothing but change tonal balance and imaging more than most upgrades. Here's how I set both on site.By Jonno Fraser
Standmount or floorstander: matching the speaker to the room, not the egoBigger speakers don't automatically mean bigger sound. Here's how to actually match standmount vs floorstander to your room, your amp and your listening seat.By Jonno Fraser
Baffle step: the crossover-adjacent problem most speaker buyers never hear aboutBaffle step compensation shapes how a speaker's bass balances against its midrange. Here's what it actually is, and why placement can't fully fix it.By Marcus Vale
First reflections: finding them, and what to actually do about themThe mirror trick still finds first reflection points better than any app. Here's how to locate them and what treatment actually earns its keep.By Hannah Reid
Stands are not an accessory: the giant-killer case for standmounts on proper standsA $250 pair of proper stands can outperform a $1000 speaker upgrade. Here's why stands are the cheapest giant-killer move in loudspeakers.By Dave Okafor
Speaker footprint versus room footprint: matching size to the space, not the budgetBigger speakers don't mean bigger sound. Here's how to match cabinet volume, driver size and placement to your actual room, not your budget.By Jonno Fraser
Toe-in angles: the free speaker tweak most people set once and forgetToe-in changes tonal balance, imaging and soundstage width more than most cable or component upgrades. Here's how to actually dial it in by ear.By Eleanor Shaw
When two standmounts beat one floorstander (and when they don't)Doubling up on standmounts instead of buying a floorstander can beat it on bass and imaging, but only if your room and budget line up. Here's the real trade-off.By Sofia Laurent
Speaker height and ear level: the measurement everyone skipsTweeter-to-ear alignment shapes tonal balance more than most upgrades. Here's how to measure it properly for standmounts and floorstanders alike.By Eleanor Shaw
Rear-wall distance: the standmount spec nobody puts on the boxStandmount bass depends on how far the cabinet sits from the wall behind it, not just the drivers inside it. Here's how to actually find the right distance.By Hannah Reid
When a floorstander is actually the wrong upgradeBigger boxes aren't always the better statement. Why a serious pair of standmounts on the right stands can beat a floorstander in the wrong room.By Sofia Laurent
Speaker stands aren't furniture: mass, coupling and the sound you're leaving on the tableSpeaker stands do more than hold height. Mass, fill and coupling change bass control and midrange clarity more than most cable or amp upgrades.By Eleanor Shaw
Standmounts near-field, floorstanders far: matching speaker format to listening distanceListening distance changes which speaker format actually works. Here's how near-field, mid-room and far-room seating should shape your standmount vs floorstander decision.By Eleanor Shaw
Toe-in angle: the free speaker upgrade nobody bothers measuringToe-in angle changes your speakers' tonal balance and imaging more than most upgrades. Here's how to actually find the right angle for your room.By Hannah Reid
Digital source, analogue speakers: why your streamer choice still shapes the pairA DAC engineer's take on why speaker matching starts upstream — how digital volume, output stage and streamer choice interact with standmounts and floorstanders.By Theo Mensah
Speaker stands and boundary distance: the invisible spec on your spec sheetStand height, mass and distance from walls change a standmount's measured bass and imaging more than most upgrades. Here's how to get it right.By Hannah Reid
Speaker format by room: when standmounts beat floorstanders (and vice versa)Choosing between standmounts and floorstanders isn't about budget or looks. It's a room-shape and listening-distance decision, and I've watched it wreck good systems.By Jonno Fraser
Crossover points and driver integration: what actually matters when you buy a speakerCrossover frequency and slope shape the sound more than most spec sheets admit. Here's what the numbers actually tell you about driver integration.By Marcus Vale
Floorstanders in small rooms: why size can betray you at the high endA large floorstander in a small room doesn't deliver more — it delivers worse. Sofia Laurent explains when to walk away from the flagship and why.By Sofia Laurent
Standmount speakers on the wrong stands: why the support matters as much as the speakerYour standmount speakers are only as good as what they sit on. Hannah Reid explains how stand height, mass, coupling and decoupling change what you actually hear.By Hannah Reid
Toe-in, tilt and height: dialling in standmount speaker angles for real roomsToe-in, tilt and tweeter height change what standmounts actually sound like — more than most cables or DAC upgrades ever will. Here's how to get them right.By Eleanor Shaw
How to bi-wire and bi-amp standmount speakers: what actually worksBi-wiring and bi-amping promise better sound from speakers with dual binding posts. Theo Mensah cuts through the folklore and explains what the measurements say.By Theo Mensah
How to position standmount speakers for the best sound in any roomPlacement does more for standmount sound than almost any upgrade. Hannah Reid explains the geometry, the compromises, and what actually moves the needle.By Hannah Reid
ProAc Response DB1R: smallest ribbon-tweeter standmountThe ProAc Response DB1R revives a British classic with a ribbon tweeter and alnico magnet. Here is what Australian buyers need to know before auditioning.By Hannah Reid
Dali Sonik 1 review: standmounts that punch above priceDali Sonik 1 review: AU$849 a pair buys tonal balance, midrange refinement and imaging that embarrass pricier standmounts. Dave Okafor explains why.By Dave Okafor